Showing posts with label Meredith Pardue. Show all posts
Showing posts with label Meredith Pardue. Show all posts

Monday, November 22, 2010

"Revolutions" Opening Night


Meredith Pardue, at right, with guests on opening night.

What a beautiful evening! Thanks to everyone who turned out last Thursday night for Meredith Pardue's opening reception for her show entitled "Revolutions".  A magical soiree indeed - Meredith was ravishing and well received as her art installations danced on the walls of our gallery with beatific aplomb.

Barbara Serota, Cynthia Fray, Jean-Marc Fray, Birgit Schroeder.



Meredith Pardue, center, with guests Mia and Birgit.


“In this aesthetically whimsical body of work titled Revolutions, I use the circle to address the universal issues of time, speed, and change.  As a symbol, a circle or sphere could not be more fully loaded, as it represents some of the most powerful and universal elements that exist.  Aesthetically, the foundation for this work is the rotation of heavenly bodies--specifically the sun, the moon, and the Earth.  In Revolutions I address how the rotations of these heavenly bodies relate to human lives, with specific respect to the passage of time and the changes that occur in between these cycles.

"Bang Bang Universe"

"Big Time Revolution"
"Medals From One Long War (Defense)"
"Medals From One Long War (Honor)"

The obvious visual reference to lunar phases and planetary rotation lays a solid foundation for the fusion of one kind of revolution with another.  As titles such as Medals from One Long War or The Waxing and Waning of My Constitution suggest, an internal, personal, or political revolution also takes place within the constructs of these temporal revolutions of nature, while the titles Mandala I and II suggest the quest or presence of a spiritual revolution.



"Mandala I"


"Mandala II"

I chose to deliver this loaded concept in the form of a colorful palette of mixed media pieces, offering the viewer a playful respite from the gravity of its content.  The clean simple beauty of the natural maple both literally and aesthetically supports the rich impasto of the paint and collage.  It is my hope that the viewer will find both meaning and beauty in the balance of these two contrasting elements, as well as infuse his or her own understanding to the work, and therefore adding the most important dimension to the artwork--life.” —Meredith Pardue.

"Phases of the Great Rotation"


Congratulations Meredith!

See all of Meredith's new works here: http://www.jeanmarcfray.com/paintings/38.

Wednesday, October 6, 2010

Meredith Pardue Featured in the Austin American Statesman

Here's a recent interview with Austin artist Meredith Pardue - this wonderful article appeared in the October 1, 2010 issue of the Austin American Statesman, Glossy Section. Enjoy!



View the article online at statesman.com.

Friday, June 11, 2010

"Decade" - Opening Night with Meredith Pardue


Meredith Pardue's "Decade" opened Thursday night in our gallery. It was a lovely warm evening after our first summer storm. Meredith's new works beautifully embellished the space and set just the right mood for what turned out to be a delightful night. Thanks to our all our friends who came to the show!!

Take a peak at the installations:



Friday, May 14, 2010

Meredith Pardue Makes Austin Home



It's official! Contemporary artist Meredith Pardue has settled in Austin and set up her art studio in a loft in downtown Austin, TX.

Jean-Marc and Jean-Noel stopped by recently for a visit and got to see Meredith in action. She's currently working on her upcoming exhibit "Decade" - running June 3-30, 2010 in our gallery. The opening reception with Meredith is June 3, 2010 from 6:00-8:00 pm. Please join us!



Welcome to Austin Meredith!


Tuesday, November 10, 2009

Five Minutes With Artist Meredith Pardue


Meredith Pardue, one of Louisiana's hottest contemporary artists in the art world today (soon to be one of Austin's own!) was in town last week for her latest exhibit entitled "Unbound (Seven Parts of a Rainstorm)". The show opened in our gallery Thursday evening to an enthusiastic and receptive crowd. Thanks to all who joined us, including Meredith, the show was a success, and a memorable evening for all.

Afterwards we sat down with Meredith for a lovely conversation about her work, her inspiration and some insight into her life as an artist. Enjoy...

Meredith Pardue

Jean-Marc Fray: Meredith, when did you decide to become an artist?
Meredith Pardue: I don't think I ever decided to become an artist. I have always painted, and throughout my life it has been the only thing that I have consistently loved and practiced.

JMF: How would you describe your style?
MP: Abstract. The canvases are composed of organic forms that are similar to, and possibly even derivative of, those found in nature, but ultimately the paintings are a visual record of an unplanned dialog between myself and a blank canvas. The marks and forms create a language that reads as something unique to each viewer.

JMF: Where do you find your inspiration?
MP: Music, nature, visual art, weather, human relationships, the general dynamic of living.

JMF: Which artists do you admire and how have they influenced your work?
MP: Cy Twombly, Joan Mitchell, Tom Waits, Helen Frankenthaler, Robert Motherwell, Jack Pierson, Peter Paul Reubens, Bob Dylan, Franz Klein, Stevie Wonder, Agnes Martin, Joni Mitchell, Robert Rauschenberg, Alberto Giacometti, Richard Diebenkorn. There are so many more, but those are probably the most significant in terms of influence on my work.
I am certain that somehow fragments of what I encounter through sight or sound and the emotional response that accompanies any meaningful experience with a work of art, manifest themselves in my work. That sounds vague, but it is just so subtle and intricate the way things combine together to form something new.

JMF: What’s your favorite medium?
MP: I use oil and water based media on canvas, linen, and paper. I love them all.

JMF: Could you talk a little about your latest series of paintings, “Unbound (Seven Parts of a Rainstorm)” ?
MP: The paintings address the freedom found in chaos, and the clarity that ultimately emerges from scenarios that previously, in their high energy, appeared disorganized. The drips in the paintings occurred at the beginning of the painting process, and I delineated each form in the composition as it sort of emerged from the mess. So, the process of how these paintings were made speaks of the content.


JMF:
You are a mother of two - how do you juggle parenting and painting?
MP: I just dive into each day face first. I don't think the work I do is any more demanding than what other working mothers do. I set regular office and studio hours for myself, and I feel panicky and nervous if I am not working really hard during those hours. I do not sit down until I get in the bed at night.

JMF: What do you do when you’re not painting?
MP: Spending time with my boys, running, reading, yoga, taking care of the one of the many living things in our house. And I am learning how to cook.

JMF: Any words of advice you’d like to pass on to aspiring artists?
MP: Have a disciplined daily studio schedule and stick to it. Deliver what you promised when you said you would, and you are already ahead of most other artists. Keep the old ego in check...nobody likes a crazy artist. Your work is also your passion, so a moment of gratitude here and there is probably in order.





Unbound (Seven Parts of a Rainstorm) - on display in our gallery through November 30, 2009. See the whole series here. See more of Meredith's work here.