Showing posts with label bronze. Show all posts
Showing posts with label bronze. Show all posts

Tuesday, March 22, 2011

Deborah Page Projects Now at Jean-Marc Fray's at 1stdibs@NYDC

After multiple successful joint projects in the Austin area, Jean-Marc Fray teams up again in the Big Apple with Deborah Page Projects in 1stdibs' latest venture: 1stdibs@NYDC.



Jean-Marc Fray French Antiques is one of more than 50 dealers selected by 1stDibs founder Michael Bruno to show the most vibrant and significant collection of antiques, mid-modern furnishings and art available in New York City.  This vibrant, new marketplace, which occupies the entire 10th floor of the New York Design Center at 200 Lexington Avenue, is now open to the public, Mon-Sat.

Jean-Marc Fray's showroom at 1stdibs@NYDC currently features the works of Deborah Page Projects artist Marlene Louchheim, a talented sculptress who shares her time between studios in Los Angeles and Hawaii. This stunning collection of bronze sculptures made of burlap, bronze, aluminum and copper is a visual exploration of the subtleties and intricacies of human emotion.

"Fragments #2" by Marlene Louchheim

"Deborah Page Projects always brings fabulous, bold contemporary works of art that not only hold a clear investment value but combine beautifully with our collection", says Jean-Marc Fray. "Marlene Louchheim's sculptures are exquisite to behold and fit perfectly in the environment we wanted to create in our New York showroom."


"Elevations" by Marlene Louchheim

"Marlene Louchheim has been able to create a broad range of abstract sculptures, expressing both sensuality and a sensitive understanding of formal relationships," says renowned sculptress Deborah Butterfield. "Her sculptures are lovingly crafted and are a reflection of her life and devotion to both her wonderful family and the commitment to her art. She has succeeded on every level."

"Dreams" by Marlene Louchheim

Thursday, March 11, 2010

The Ancient Art of Lost Wax Bronze Casting

by Lauren Stewart-Ebert

A foundry operating in 1901...

...and in 2009

The lost-wax method of casting metal, "cire perdue" in French, is thousands of years old and has changed very little in all that time. From small pieces of decorative hardware to statues of mammoth scale, the technique has been used the world over since as early as the 5th century BC.

The Berlin Foundry Cup depicts the process of casting bronze, 5th century BC.

The process begins with a model of the finished product, usually made of wax.


A plaster or clay mold is then made around that wax model.


Using that mold, a hollow wax casting is made.


That casting is encased in a fireproof mold of clay or plaster and fitted with sprues - tubes which will allow the melted wax to flow out of the mold when heated and the molten metal to be poured in.


Then the final cast is made and, once cooled, removed from the mold. Then the piece is "chased," meaning the sprues are cut off and piece is filed, buffed and polished to its final finish.


This painstaking process allows the most minute details to be rendered perfectly in solid metal, creating beautiful works of art and functional hardware.


The Thinker by Auguste Rodin, 1902, is a large scale cast bronze measuring over six feet tall.


The Chatsworth Head was found on the island of Cyprus in 1836 and dates to 460 BC, a remarkable early example of the "cire perdue" technique.


The Todai Daibutsu statue in Nara, Japan is a monumental cast bronze. Measuring 52 foot high and weighing 500 tons, the statue was constructed in eight castings over a three year period.


Bronze cat, Ptolemaic Period in Egypt, 305-30 B.C.


Many notable French cast bronze pieces, such as the King's Clock at the Palace of Versailles, are also gilded.

The Clock Room at Versailles

The King's Clock

The traditional method for this involves mixing a mercury amalgam with finely ground, high karat gold, applying this mixture to a cast bronze object, and then firing the object in a kiln. Due to the toxicity of working with mercury, this process is no longer employed.

The Rococo and Neoclassic pieces we prize today beautifully display this technique.

Neoclassic secretary by Jean-Henri Riesener, circa 1783

Rococo bronzes line the walls in the Hall of Mirrors at the Palace of Versailles

From sconces to andirons, chandeliers to dressers, the possibilities are endless... and beautiful!



Thursday, March 4, 2010

Most Expensive Work of Art Ever Sold At Auction: Giacometti's "Walking Man" Breaks The Record


Alberto Giacometti’s life size bronze, “L’Homme Qui Marche I” (Walking Man) made history last month becoming the most expensive work of art ever to sell at auction; it sold for £65, 001,250 ($100.3 million) at Sotheby’s of London on February 3, 2010. The final sale price just beat the previously held record, set in 2004 by Pablo Picasso’s “Garcon a la Pipe” (Boy With A Pipe) at $100.1 million, but stunned bidders and bidding wannabes from all over the world anticipating a sale price closer to the estimated £12–18 million. Kind of ironic for a bronze sculpture with existentialist themes…

"L'Homme Qui Marche I" at auction at Sotheby's London.

Working the phones at Sotheby's Impressionist and Modern Art Auction.

What’s even more ironic is that this record-breaking sale comes at a time of historic, worldwide economic crisis and recession. Obviously there are those who are not feeling the pinch – ten to be exact (ten buyers were involved in the eight minute bidding, narrowing down to two after the bid hit 50 million). According to two London based art dealers, the piece was purchased by Lily Safra, the Brazilian-born widow of Lebanese banker Edmond J. Safra, who died in a fire in his Monaco apartment in 1999. (Forbes says her net worth is $1 billion). The seller, Commerzbank AG, a German bank that inherited the work when it took over Dresdner Bank last year (also a result of the economic crisis), says it plans to use the proceeds to fund philanthropic endeavors…

Giacometti's "Walking Man".

There are two versions of “Walking Man,” I and II, each in editions of six plus artist proofs. The six-foot-high bronze was initially acquired in 1961 by New York art dealer Sidney Janis, who bought it from Galerie Maeght in Paris, according to the auction catalogue. But interestingly enough, these world renowned figures came to be thanks to a New York achitect by the name of Gordon Bunshaft who commissioned Giacometti to create a large group of figures for the outdoor plaza of Chase Manhattan Bank in New York in 1956. The public art project was never completed but it was the American connection that encouraged Giacometti to create larger-scaled works.

Alberto Giacometti.

So just how do works of art fetch such phenomenal prices in today’s economy? Apparently, it’s simple economics - supply and demand. According to Georgina Adam, editor-at-large of The Art Newspaper, the price was so high because there are so few Giacometti sculptures and it was very rare for them to be put up for auction. The Giacometti sale was a “once-in-a-lifetime opportunity”. In fact one of the bidders said he had waited 40 years for this work to come up for auction. The sculpture is considered to be one of the most important by the 20th-century Swiss artist.

Alberto Giacometti.

Melanie Clore, Deputy Chairman of Sotheby's, says the answer is five-fold: condition, rarity, reputation of the artist, competition, and confidence that the piece will at least hold its value. "The competition which generated these exceptional results demonstrates the continued quest for quality that compels today's collectors," says Clore.

Giacometti at work.

It makes sense that in times of economic crisis and financial bailouts, investors would be keen to move their moneys towards more tangible investments such as art, antiques, precious metals and stones. And as the returns continue to grow, so will the art market. And if Sotheby’s Impressionest and Modernist auction last mon this is any indication, “la tendance” seems to be moving in an upward direction for now. Investing never looked so good!

Sotheby's employees move works for the Impressionist and Modern Art auction in London.
The large painting is by Gustav Klimt, the still life is by Paul Cezanne.


But you don’t have to be a billionaire to get a glimpse of and appreciate truly fine works of art such as Giacometti’s “Walking Man”. Fortunately for the rest of us, it can be seen in several museums around the world: Carnegie Institute Museum of Art (Pittsburgh, PA), Albright-Knox Art Gallery (Buffalo, NY), National Gallery of Art (Washington DC), Kröller-Müller Museum (Otterlo, Netherlands), Fondation Beyeler (Basel, Switzerland ), Louisiana Museum of Modern Art (Humlebaek, Denmark), Art Institute of Chicago (Chicago, IL), Herbert F. Johnson Museum, Cornell University, (Ithaca, NY) and Fondation Maeght (St. Paul-de-Vence, France).

I’ve seen the one in St. Paul de Vence, along with several other works by Giacometti – it’s definitely worth the trip!

Fondation Maeght, St. Paul de Vence, France.


Bronze by Giacometti at Fondation Maeght, St. Paul de Vence, France.


Giacometti figures in courtyard at Fondation Maeght.

Giacometti's "Dog" at Fondation Maeght, St. Paul de Vence.

Giacometti's "Cat" at Fondation Maeght, St. Paul de Vence.