Monday, June 21, 2010


The History of Perfume


Text and photos courtesy Parfumerie Fragonard

An “industry” as old as mankind
The word "perfume" is derived from the Latin per (through) and fumare (to smoke) because, long before the use of modern techniques, the first perfumes were obtained by burning woods, resins and other complex mixtures. Humans have always been exposed to smells. We can suppose that it was around a fire that our earliest ancestors discovered what smells they could produce by throwing herbs, leaves or twigs of different plant species into the flames. The use of perfume is contemporary, therefore, with the development of the first towns and its purpose was mainly religious, to communicate with the gods and enable the dead to join the hereafter, particularly for the Egyptians.


Egypt: the ancient center of perfume
Of all the ancient civilizations, Egypt has left the greatest mark on the history of perfume. By the end of the Roman Empire, with Rome’s political and economic powers waning, Alexandria, with its guilds of renowned perfumers and alchemists, played a key role in the world of perfume. While it is incorrect to state that the ancient Egyptians used perfume solely for religious and funeral rites, perfume was an essential feature of these mystical ceremonies.


The Egyptians never restricted their use of perfume to purely religious purposes. Although some perfumes were reserved for ritual use, others were used in daily life for healing, adornment and the improvement of home life.


Greece: the beginnings of hygiene and the cult of the body
Egypt and the East passed on their knowledge of perfume to the Greeks via the maritime trade routes of the Cretans and Phoenicians. The Greeks imported the necessary raw materials from Africa and the East through their trading posts dotted around the Mediterranean, eventually becoming experts in preparing perfumed products.

As with the Ancient Egyptians, perfume remained sacred to the Ancient Greeks. Greek mythology even describes the origins of particular fragrances as disputes amongst the Gods.
However, the Greek’s interest in perfume also included the realm of medicine and personal hygiene. The cult of the body, both male and female, which developed in Ancient Greece, is inextricably intertwined with the world of perfume.

The Middle Ages and barbarian influences
In just over a millennium, Rome grew from a small farming village to the undisputed world capital. As Rome’s power and influence grew, its morals were also radically altered. The Republic managed to maintain a certain austerity for a while but eventually yielded to luxury with the discovery of oriental refinement and perfumes.

Public baths attracted a large number of Romans and body care was practiced throughout the rich classes of Ancient Rome. Scents, room perfumes, oils and balms for skin and hair, and spicy aromas from refined dishes were all important parts of Roman life. This profusion in fragrance use caused the moralists of the period to condemn the excessive use of perfume.

From The Renaissance to The Enlightenment
By the end of the 14th century, liquid perfumes were replacing solid ones. Scented waters and tinctures were sought after for their medicinal values.


Bathing was considered to be dangerous and unhealthy, and consequently aristocrats used increasing amounts of perfume to conceal the embarrassing odors of their ill-washed bodies. Strong, heady perfumes, such as amber, musk, jasmine and tuberose, persistent enough to cover-up bad odors were en vogue. Similarly, the fragrance used in perfumed gloves brought to France by Queen Catherine de' Medici from her native Tuscany masked the unpleasant smell of poorly tanned leather.

The association of leather and perfume was so strong that in 1656 the Corporation of Glovemakers and Perfumers was formed in France. Under Louis XIV, nicknamed “sweetest smelling king of all”, this guild was granted the monopoly of perfume distribution, which had previously belonged to apothecaries and druggists.


Strong demand for perfumed products, mainly imported from Italy, encouraged France to develop its own perfume industry. The Grasse region, in the south of France, which enjoyed a favorable climate and local support from the Montpellier faculty of pharmacy, began to specialize in both aromatic raw materials and the actual production of perfume.

The age of Enlightenment saw a major expansion in perfumery products. Scented waters gave way to toilet vinegars and bathing gradually came back into favor. As flasks adapted to these new products, vinaigrettes, handy recipients for sweet-scented vinegars, were produced.

The French court was the undisputed model of refinement and elegance throughout Europe and eventually France became the home of the greatest perfume makers and most innovative perfumes. While Paris was the capital of trade in perfumed products, the town of Grasse, with its extensive fields of jasmine and rose, became the capital of production.


It was during this period that Grasse began to acquire its worldwide reputation for the diversity and quality of its production.

The beginnings of modern perfumery

It was in the 19th century that perfume making, and industry in general, was completely revolutionized.


The emergence of modern chemistry, gradual democratization, the rise of an industrial middle class, and a flood of scientific and technical discoveries all caused a complete structural change in the skills and products of the perfume trade.

Advances in organic chemistry produced synthetic compounds that reproduced smells of the rarest essences. Both the glove maker-perfumer and the alchemist gave way to the contemporary perfumer- a professional well versed in all the scientific and technical possibilities available. During this period, with the predominance of bourgeois taste based on moral values such as reason and decency, society turned towards more delicate perfumes. Perfume was consumed in the form of perfumed bath salts, fragranced sachets for linen cupboards and incense pastilles. The atomizer, invented in 1870 by the writer Brillat-Savarin, made it simpler to use spirit-based products.

In the 20th century, perfume became increasingly luxurious and is still strongly associated with other artistic endeavours. Perfume was used and desired not only for its fragrance but also to highlight the attractiveness of the wearer.

The names evoke far-away places (Mitsouko, Shalimar, Cuir de Russie), emotions (Scandale, Je reviens, L’Heure bleue) and nature (Vent vert, Fleurs de rocaille).


Crystal-makers, like Lalique and Baccarat, devoted their talents to designing elegant perfume bottles and the advertising industry promoted new perfumes. Leading fashion designers – following Paul Poiret, the first to associate a perfume (Les Parfums de Rosine) with a line of women’s clothes – gradually moved into the secret specialised world of perfumery. In 1925, Ernest Beaux created the most mythical designer perfume ever, Chanel N°5. Lanvin, Rochas, Patou, Ricci, Balmain and Dior, soon joined this expanding business that linked designer clothes with designer fragrances. In the 1950s, men’s fragrances began to gain popularity.

Today, marketing is key to every form of creation in perfumery. “Noses”, the creative artists, have to compose perfumes within the strict framework of particular fashions and detailed specifications. Hundreds of new perfumes are launched each year, but very few are able to survive beyond their first year.

While this massive expansion and industrialization of the perfume industry continues, today, there are still artisan perfume makers who offer original high-quality creations designed and produced in the traditions of the great perfume houses of the past.


The House of Fragonard
 - a story of perfume making…


Shortly before World War I, Eugène Fuchs, an entrepreneur at heart seduced by the magic of perfume, decided to set up his own perfumery based on the novel concept of selling perfumery products directly to tourists who were beginning to discover the charms of the French Rivera. Parfumerie Fragonard was opened in 1926. Eugène Fuchs chose to name it after the famous Grasse-born painter, Jean-Honoré Fragonard (1732-1806), as a tribute to both the town of Grasse and to the refinement of 18th-century arts. Similarly, the choice of name expressed his desire to run his business in accordance with traditions.

This spirit has been loyally perpetuated by the three succeeding generations who have run and are still running the company with production plants and retail outlets in Grasse, Eze and Paris, France.

It was under the tenure of Jean-Francois Costa that the Parfumerie Fragonard experienced rapid growth and modernization. As an avid art collector, he acquired a large and unique collection of antique perfume related items that has both enriched the House of Fragonard and given the town of Grasse a new cultural dimension.

Today, Jean-François Costa's daughters, Agnès and Françoise preside over the perfumery, and are as concerned as the preceding generations with continuing to build the company while adapting it to current market needs and desires.


Fragonard Home Scents

Jean-Marc Fray French Antiques now offers Fragonard scented candles, and home fragrances imported from Grasse, France.
Candles
If the white biscuit porcelaine pot blends beautifully with your interior décor, it serves further to highlight a soft, pervading fragrance. These candles bring a soft, convivial atmosphere to your house. Available in 12 fragrances: Sandalwood, Ylang-ylang, White Flowers, Cinnamon/Orange, Orange blossom, Vineyard Peach, Vanilla, Brioche, Cappuccino, Date & honey and Bientôt minuit. $42.


Home fragrances
They partner your interior decoration, highlighting its character and bringing you a most enjoyable sensation of harmony. These elegant fragrances come in equally attractive glass spray bottles, so decorative and traditional. Available in two scents: Eau d’oreiller and Chambre d’Amis $53.

Sunday, June 20, 2010

3d train

3D trains

Unique 3D trains, by day and night. Hope you like it! A future locomotive with a great level of detail. 3D art - train.

3D trainbest 3d train render


Thursday, June 17, 2010

Fete de la Musique – June 21, 2010

A French tradition, a world-wide success, a music celebration!



Every year, on the day of the summer solstice, the people of France descend into the streets by the thousands for an all-night celebration of music. Created in 1982 with the help of French Minister of Culture, Jacques Lang, to promote music of all genres, accessible by all and performed in the streets, the “Fete de la Musique” has become an international phenomenon. The title of the event is a play on words that became its very own slogan - “Fete de la Musique” or Festival of Music, sounds like “faites de la musique” which means simply, “make music”.

Hundreds of musicians gather in the streets, bars, and cafes all over France, giving free performances of everything from jazz, rock, hip-hop to electronic and world music. If you happen to be in France on June 21st, you won’t miss this spirited event. The mood is fun and light and there’s music in the air at every corner - what better way to experience the villages and neighborhoods of France like a real local!

In 1985, the festival spread to other European countries in honor of the “European Year of Music”, and fifteen years later, the Fete de la Musique expanded to more than 100 countries on 5 continents! The themes change from year to year. This year’s theme is “Musique au feminin” inspired by female musicians, composers and vocalists around the world, from long ago to the present time. Their creativity, their battles, their profound truth and their repertoires will be honored on June 21, 2010.






Vive la musique!!
For more information about Fete de la Musique 2010, visit their website.

Friday, June 11, 2010

"Decade" - Opening Night with Meredith Pardue


Meredith Pardue's "Decade" opened Thursday night in our gallery. It was a lovely warm evening after our first summer storm. Meredith's new works beautifully embellished the space and set just the right mood for what turned out to be a delightful night. Thanks to our all our friends who came to the show!!

Take a peak at the installations:



Friday, June 4, 2010

Places We Love...


GIORGIONE

On a recent trip to New York, we had the good fortune of getting a table at Giorgione’s (thank you Apartment Therapy!) – a fabulously cozy SOHO Italian bistro run by Giorgio de Luca (of Dean and de Luca fame) and Grant Hailey.


 It was a wonderful warm night with tables outside, soft candlelight, superb service and fabulous food. The blue wall in the back sets just the right tone. We highly recommend this neighborhood gem for lunch, dinner or late night snack.

Thoroughly enjoyed all the pastas! Such as...

Lasagna...
Tortellini...
Rigatoni with duck sauce... mmmm...
The grilled octopus was to die for - too bad we didn’t have our camera out!

Thank you Giorgione - we'll be back soon!

Arrivederci!
GIORGIONE
307 Spring St.
New York, NY
212.352.2269

Thursday, June 3, 2010

3D plane


3D plane (aircraft  :)) and room interior, in the morning. The structure is that of a Fighter Bi-Plane, but working on the atmosphere and on the general aspect I've tried to induce a peaceful theme, something like a toy designer studio or to recreate the atmosphere of a tree house of a child, with a plane inside. The 3D Bi-plane is a combination between old technology and fiction, ready to take of :) 3DS max


Tuesday, June 1, 2010

On Site: Interior Designer Isabel Borland

Austin interior designer Isabel Borland recently asked us to help select some pieces for a client’s home in Spicewood, TX. Last week we got a chance to see the polished end results of our partnership and see the family at play in their beautiful new surroundings…

Take a peek here and enjoy Isabel’s commentary on her approach to this fabulous project!



Isabel Borland: 

All that space!

What first struck me as the biggest luxury with the C project turned out also to be the biggest challenge: How to take this glorious two storey free flow of space and give it a human scale -  and make it highly functional?

First, we identified these key criteria for the project (which closely mirror my own design principles):

Maintain the luxurious flow of space between rooms while creating distinct areas that feel intimate, comfortable and highly functional…

A dining area that feels simultaneously formal and informal.
The French, solid oak dining table from Jean-Marc Fray French Antiques is a key anchor. It provides the perfect proportion to hold its own without dominating. To keep it light and kid-friendly, we chose the iconic Kartell Ghost chairs; exquisite Murano glass chandelier also from Jean-Marc Fray French Antiques.
A dedicated place for the boys’ school activities, projects and puzzles.
The French Louis Philippe solid walnut gueridon (c 1845) from Jean-Marc Fray is a key functional piece. We selected this particular table because of its ideal proportion and sturdiness. The sweet, quirky French Directoire chairs (c1940), also from Jean-Marc Fray, perfectly complement the table and the smaller scale is comfortable for the children.
Ample seating where people can engage in separate activities but still be together. The solid mahogany French Deco loveseat (1930s) from Jean-Marc Fray provides additional seating for the dining room as well as a comfy spot that surveys all three main rooms – not to mention the incredible view through the screened porch; (painting by Meredith Pardue from Jean-Marc Fray).
A comfortable, lounge-y area for TV watching that doesn’t dominate the rest of the space.

An environmental focus in line with the home’s impressive Austin Four Star certification. Antiques are a clear choice for a green use and re-use approach.



Elegant, heirloom-quality pieces that are still kid-and-dog-friendly…

An Italian solid walnut console table (1820s) from Jean-Marc Fray adds some height without obstructing any of the glorious views. We loved the graceful legs characteristic of the Piedmont region.
Plenty of wabi sabi with an eclectic balance of old and new; a sense of history and varied patinas that get better with use to communicate the beauty in imperfection, avoiding anything that looks overly designed or precious…

We fell in love with the French Deco club chair from Jean-Marc Fray with its unusual clean lines, sweet proportion and beautiful patina. It feels like a hug when you sink into it.
Flexibility… we only purchased things that would work in at least 2 places (or 3 or 4) and that could be easily moved to make room for baby and the older boys.


Still focused on comfort and durability, the bergeres from Jean-Marc Fray provide the perfect balance. Also from Jean-Marc Fray, the indestructible cowhide softens the room and feels delicious underfoot and the unusual coral leather nesting tables with gilded legs add sparkle, color and texture.

In the end, I am (and more importantly, the client is) thrilled with our solution for a series of elegant, eclectic and functional areas that make the most of the flow of space, grounding it without feeling choppy or overstuffed. The mix of vintage and antique pieces was key to providing a sense of history and human scale in that large space…


…I think what excites me the most is seeing the family live in their new space. There is plenty of seating for guests and extended family visits, and the children feel free to work and play amidst beautiful things. They have gained an appreciation for their surroundings without having to tiptoe around as if in a museum, or worse, an overly designed home.




ABOUT ISABEL:
A lifelong passion for art, architecture and beautiful things led her to interior design. She has a degree in art and architecture history, an MBA, and sales and marketing experience in several industries including fine art and textiles. Her aesthetic is eclectic with a keen eye to proportion, color, texture and unexpected combinations of high and low that feel fun but always balanced and grounding.


Isabel Breeze Borland
424-298-7262
isabelborland@gmail.com
http://isabelbreeze.blogspot.com

Interior Design by Isabel Borland.
Antiques, vintage furnishing and vintage lighting by Jean-Marc Fray French Antiques.
Photography by Jean-Noel Fray.