Thursday, March 4, 2010

Most Expensive Work of Art Ever Sold At Auction: Giacometti's "Walking Man" Breaks The Record


Alberto Giacometti’s life size bronze, “L’Homme Qui Marche I” (Walking Man) made history last month becoming the most expensive work of art ever to sell at auction; it sold for £65, 001,250 ($100.3 million) at Sotheby’s of London on February 3, 2010. The final sale price just beat the previously held record, set in 2004 by Pablo Picasso’s “Garcon a la Pipe” (Boy With A Pipe) at $100.1 million, but stunned bidders and bidding wannabes from all over the world anticipating a sale price closer to the estimated £12–18 million. Kind of ironic for a bronze sculpture with existentialist themes…

"L'Homme Qui Marche I" at auction at Sotheby's London.

Working the phones at Sotheby's Impressionist and Modern Art Auction.

What’s even more ironic is that this record-breaking sale comes at a time of historic, worldwide economic crisis and recession. Obviously there are those who are not feeling the pinch – ten to be exact (ten buyers were involved in the eight minute bidding, narrowing down to two after the bid hit 50 million). According to two London based art dealers, the piece was purchased by Lily Safra, the Brazilian-born widow of Lebanese banker Edmond J. Safra, who died in a fire in his Monaco apartment in 1999. (Forbes says her net worth is $1 billion). The seller, Commerzbank AG, a German bank that inherited the work when it took over Dresdner Bank last year (also a result of the economic crisis), says it plans to use the proceeds to fund philanthropic endeavors…

Giacometti's "Walking Man".

There are two versions of “Walking Man,” I and II, each in editions of six plus artist proofs. The six-foot-high bronze was initially acquired in 1961 by New York art dealer Sidney Janis, who bought it from Galerie Maeght in Paris, according to the auction catalogue. But interestingly enough, these world renowned figures came to be thanks to a New York achitect by the name of Gordon Bunshaft who commissioned Giacometti to create a large group of figures for the outdoor plaza of Chase Manhattan Bank in New York in 1956. The public art project was never completed but it was the American connection that encouraged Giacometti to create larger-scaled works.

Alberto Giacometti.

So just how do works of art fetch such phenomenal prices in today’s economy? Apparently, it’s simple economics - supply and demand. According to Georgina Adam, editor-at-large of The Art Newspaper, the price was so high because there are so few Giacometti sculptures and it was very rare for them to be put up for auction. The Giacometti sale was a “once-in-a-lifetime opportunity”. In fact one of the bidders said he had waited 40 years for this work to come up for auction. The sculpture is considered to be one of the most important by the 20th-century Swiss artist.

Alberto Giacometti.

Melanie Clore, Deputy Chairman of Sotheby's, says the answer is five-fold: condition, rarity, reputation of the artist, competition, and confidence that the piece will at least hold its value. "The competition which generated these exceptional results demonstrates the continued quest for quality that compels today's collectors," says Clore.

Giacometti at work.

It makes sense that in times of economic crisis and financial bailouts, investors would be keen to move their moneys towards more tangible investments such as art, antiques, precious metals and stones. And as the returns continue to grow, so will the art market. And if Sotheby’s Impressionest and Modernist auction last mon this is any indication, “la tendance” seems to be moving in an upward direction for now. Investing never looked so good!

Sotheby's employees move works for the Impressionist and Modern Art auction in London.
The large painting is by Gustav Klimt, the still life is by Paul Cezanne.


But you don’t have to be a billionaire to get a glimpse of and appreciate truly fine works of art such as Giacometti’s “Walking Man”. Fortunately for the rest of us, it can be seen in several museums around the world: Carnegie Institute Museum of Art (Pittsburgh, PA), Albright-Knox Art Gallery (Buffalo, NY), National Gallery of Art (Washington DC), Kröller-Müller Museum (Otterlo, Netherlands), Fondation Beyeler (Basel, Switzerland ), Louisiana Museum of Modern Art (Humlebaek, Denmark), Art Institute of Chicago (Chicago, IL), Herbert F. Johnson Museum, Cornell University, (Ithaca, NY) and Fondation Maeght (St. Paul-de-Vence, France).

I’ve seen the one in St. Paul de Vence, along with several other works by Giacometti – it’s definitely worth the trip!

Fondation Maeght, St. Paul de Vence, France.


Bronze by Giacometti at Fondation Maeght, St. Paul de Vence, France.


Giacometti figures in courtyard at Fondation Maeght.

Giacometti's "Dog" at Fondation Maeght, St. Paul de Vence.

Giacometti's "Cat" at Fondation Maeght, St. Paul de Vence.

Thursday, February 18, 2010

Meet The Staff at Jean-Marc Fray French Antiques

Who's who at Jean-Marc Fray French Antiques? Allow us to officially introduce the people who help us run the show at the gallery in Austin and who's behind our website...

Jean-Marc and Cynthia Fray


Jean-Marc is a French native from Nice, where the Mediterranean sea, the local art and architecture served as constant sources of inspiration for his artistic heart. With a gift for languages (he speaks four fluently) and a passion for history, he pursued a degree in the Business of Tourism and promptly landed a job with French cruise line Croisieres Paquet. For ten years he traveled the world, based out of Paris and Lyon, where he lived with his American wife, Cynthia. Weekends were spent scouring the local flea markets and auction houses for antiques, a family passion, which he restored himself and accumulated in increasing abundance for his home and that of his parents. Business opportunity, family and a burning desire for working with art and antiques brought Jean-Marc to Austin, TX in 1995 where he started his French antiques business from scratch. Fifteen years later, he’s still at it with a passion. In the rare moments when he's not buying, selling, restoring or just thinking about antiques, he's most likely hanging out with his daughters, painting, or on the petanque field with unflappable focus.

Cynthia is a native Texan, born in Dallas, but raised in the Pacific Northwest. While studying Business and French at the University of Washington she developed a passion for all things French including a Frenchman by the name of Jean-Marc Fray, whom she met during a study abroad program in the south of France. Upon graduating, she moved to France where she married and lived with Jean-Marc, working in advertising for an agency in Paris then later for Apple Computer France. They moved to Austin, TX with their eldest daughter Leslie in 1995 to open their French antiques business with family nearby. When she’s not at work or keeping up with their now two daughters (Juliette arrived in ’97), she can most often be found in the kitchen, satisfying another fervent passion: cooking.

Jean-Noel Fray


Jean-Noel was born and raised in beautiful Nice, France near the sea. After earning his Baccalaureat with a concentration in literature, art history and languages (fluent Italian and English) he followed his dream to live and study in Paris where he enrolled in the Ecole des Beaux Arts Paris La Seine, in the district of St. Germain. There he pursued a degree in Architecture where his love for art, drawing and design would blossom and flourish. During his studies, he often accompanied his brother, Jean-Marc Fray, to the antique markets and auctions when Jean-Marc was in France on buying trips. He mastered the art of furniture restoration under his brother’s eye and developed the family passion for antiques. When he returned to Nice five years later, he continued working for Jean-Marc and managed his operations in France. Jean-Noel moved to Austin in 2009 to join the business full-time. His keen sense of design aesthetic and knowledge of antiques are constantly at work in the gallery, where he designs and creates living spaces with furniture, lighting and art like a true artist. When he’s not at work, chances are you’ll find him running around Town Lake or, if he's in France, soaking up the sun on the beaches of the Cote d'Azur.

Friday, February 12, 2010

How to Hang a Murano Glass Chandelier (Don't Try This at Home!)

by Lauren Stewart-Ebert

Receiving a new shipment from France is pretty much my favorite time at the gallery. We're so busy bringing in pieces, taking pictures, putting them up on the site... it can get a little crazy!
But the very best of all... the Murano chandeliers! No matter how many times I see them do it, I am always amazed to watch Jean-Noel and Jean-Marc assemble these intricate glass chandeliers.






A table of Murano leaves and branches is intimidating. Knowing that every single piece was hand blown to be placed just so on the chandelier is mind boggling...


To think, all these little (very breakable) pieces traveled over the ocean all the way from Venice, Italy, to be put together right before my eyes! I have to say, Jean-Noel is fearless climbing that twelve foot ladder and placing piece after piece of hand blown glass in place...






While Jean-Noel was placing that chandelier, Jean-Marc was busy hanging leaf after leaf on this contemporary Murano piece...







Looking at the finished product it's easy to be wowed. Watching these Murano glass chandeliers come together little by little makes me have a greater respect for the beauty of the chandelier... and also for Jean-Marc and Jean-Noel's willingness to balance on a twelve foot ladder with one-of-a-kind pieces of Italian glass!!



Thursday, February 11, 2010

A History of French Styles: Louis XIV

Louis XIV: 1640-1715


Louis XIV, also known as "The Sun King", had the longest reign of any European monarch. His focus on opulence and splendor was imposed upon France. The Palace at Versailles is a lasting example of his love of the arts and luxury.

Hall of Mirrors in the Palace of Versailles, France.

King Louis XIV bed in the Palace of Versaille, France.

The Queen's bed in the Palace of Versaille, France.

French court furniture was built for grandeur rather than comfort and only the king was allowed to sit in an armchair. Stools and benches were covered in velvet, silk, damask, and gold brocade. Chairs and settees were just as elaborate.


Louis XIV style.

Furniture introduced in this period includes the writing table or desk and finely detailed chests, which became one of the most important furniture types of the 18th century. The finest materials were used and the furniture is characterized by intricate marquetry, elaborate carving, gilding, inlaying, lacquer, gold leaf decorations of scalloped shells, lions' heads, dolphins, laurels and, of course, the sun and its rays.

Louis XIV chest.

Louis XIV period desk.

Louis XIV Boulle style travailleuse.

Louis XIV ormolue.

There was an increasing fascination with the Far East and all things Asian. French craftsmen copied the style and added flourishes of their own. This was the beginning of "chinoiserie".

Louis XIV period armoire.

Louis XIV cabinet in "chinoiserie".

The "Os de Mouton" chair is the one of the most significant pieces of the era. As the name implies, this chair had curved legs shaped like those of a lamb.


Os de mouton base.

Friday, February 5, 2010

Designer Profile: Meredith McBrearty


Introducing: Meredith McBrearty
Meredith McBrearty started her own design business after 7 years of experience in the field. An Austin newcomer, Meredith has completed homes in California, Virginia, and Texas. Her design approach yields fresh, studied, and timeless residential interiors.





Shop Talk: Five Minutes With Meredith McBrearty


How would you define your approach to interior design?
I think it is important to listen to your client – how they live, what they love, where they’ve been, and make it come to life in their home. My goal is to make a home reflect the owner by creating a cohesive interior that is interesting and comfortable. I love to present clients with colored renderings – this really brings the ideas to life and helps the client visualize what might otherwise be hard to imagine. It’s also important to study the project – the scale, the relationship of one piece to another, and how it will look when it all comes together.

What would you say has made the greatest influence on you as a designer?
I was fortunate to work for Solis Betancourt in Washington, DC for 6 years. From these extremely talented men I was exposed to both traditional interiors in Washington and New York, and contemporary homes in Puerto Rico and South Florida. I learned the importance of approaching a project as a whole, incorporating a great collection of art, and making lasting relationships with clients. The broad range of experience I received under their watch has greatly influenced me as a designer.

What do you think is the key to a successful designer/client relationship?
Be accessible, be professional, and enjoy the process. The design process should be fun and exciting for everyone involved!

Where do you go/what do you do for inspiration?
I am constantly reading design books and magazines. I shop very, very frequently – at thrift stores, on web sites, and wonderful antique shops like Jean-Marc Fray! The day you quit learning, evolving, or changing is the day you should quit design.

What do you do when you are not designing?
I probably think about my job more than most, but I am fortunate to love what I do. When I am not working I like to exercise, travel, and hang with my husband and friends. I enjoy trying new restaurants. (I’m not so much the cook!)

Meredith McBrearty's Designer Picks from Jean-Marc Fray French Antiques:







For more information about Meredith McBrearty:
Meredith Leach McBrearty
blog: http://hautehappystyle.blogspot.com/
email: mere.leach@gmail.com
tel: 202.390.2912